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RICHARD LEWER

Born in Hamilton in 1970, Richard Lewer trained at Elam. He holds a Master of Visual Arts from the Victoria College of Arts at the University of Melbourne and exhibits regularly in both New Zealand and Australia.

Winner of the 2008 Wallace Art Awards, Lewer took up the ISCP Residency in New York in February 2010. We featured his impressive body of work from this residency, entitled 10-4: New York Crime Stories, at the Melbourne Art Fair in August 2010; check it out here.

Lewer was a finalist in the inaugural 2008 Basil Sellers Art Prize and again in 2010, making him the only artist to have been nominated twice. In 2009 Lewer was the subject of a major retrospective at Monash University Museum of Art and a second major retrospective, I must learn to like myself, was exhibited at the Waikato Museum in 2010. Check out the Lumiere blog review of the Monash catalogue Nobody Likes a Show Off here, or read a review of I must learn to like myself here.

Lewer also completed the much sought-after McCahon House Residency in 2008. His work is represented in numerous public collections, including the National Gallery of Victoria, Te Papa Tongarewa, Waikato Museum, The Monash University Museum of Art, the University of Auckland, the Art Bank Collection and the Wallace Trust, as well as many private collections throughout New Zealand and Australia.

Read Richard's CV here.


Mother and child (2010)
enamel on canvas, 75 x 75 cm

"The harder it is to work on a surface, the more I'm attracted to it," says Lewer, whose diverse variety of painterly grounds has included venetian blinds, pegboard, formica, sandpaper, billiard table felt and perspex. For Lewer, the surface dictates how a painting is made: "it sets its own direction".

Lewer's work explores the facets of society that are unsolved, ambivalent, newsworthy, religious, ill, moral or amoral, or even criminal. His fascination with crime and mystery began in 2004 when he listened in to the Wanganui Police Radio frequency for three months, producing fast, harsh drawings like ciphers for the ordered violence of drug-busts, assaults and break-ins. Since 2005 his paintings and drawings have explored unsolved cases of missing people and unexplained, suspicious disappearances. A nine-month residency at Melbourne's St Vincent hospital produced a series of monochromatic renderings of sickness, instutionalised rooms and the nuns of St Vincent who ran the hospital from 1893 to the 1970s.

Lewer is also interested in sport; his 2006 installation Skill Discipline Training evoked the physicality of sport but also its lexicon, its status in culture and society striated by notions of winning and losing, success and failure. Most recently, Lewer has completed a series on pegboard entitled Confessions. Sam Leach writes that Lewer's drawing "has a folkloric quality"; Lewer's contemporary lore is half mythical and half anthropological, retelling the stories whose events we know objectively and dispassionately in a way that, without moralising, imbues them with a compelling yet opaque significance.

AVAILABLE WORKS

The above works are a selection of those available; please contact us to view more available works by this artist.

PAST EXHIBITIONS

You Can't Win Them All
9 February - 6 March 2010

Texts / Prints / Drawings
17 November - 5 December 2009

New Work
25 November - 13 December 2008

As I stepped out into the bright sunlight
20 November - 7 December 2007

Skill, Discipline, Training
12 December - 10 March 2007

Get Well
14 November - 8 December 2006

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