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SALLY PAPPS

Greetings from New Zealand
25 July - 18 August 2006

This new series of work by Sally Papps is based on the concept of postcards. The paintings are small (15 x 20 cm) and numerous and, for the exhibition, will be presented as a group – in a large, collective ‘greeting’. 

Sally is a Nelson based artist with a Visual Arts Diploma from Nelson Polytech. For the past 10 years, she has divided her time between painting and working as a curator and exhibition designer at museums and art galleries.

Her work incorporates some of the events, interactions and anomalies of social history with the principles of early colonial art. In 1995 little white houses started to appear in her work and they have been her principal motif ever since. They are at the heart of our daily lives; they are sites of human interaction.

Greetings from New Zealand - Ear Muffs (detail)
acrylic on board 15 x 20 cm

Wish You Were Here
acrylic on board 15 x 20 cm

Abreast of the Situation
acrylic on board 15 x 20 cm

Artist Statement:

This series is based on the concept of postcards.

From the earliest days of European exploration to the South Pacific, draftsman and surveyors made images of new lands and its population. The purpose was to make records, and later, to use as advertising material to encourage colonization.

The earliest imagery (1700’s) was a kind of bold anthropological study – posing natives – or dusky maidens - on exotic shores (Abreast of the situation); and later, (1840) much distilled imagery, issued by the New Zealand Company to entice future colonials without frightening them.

But what if the colonials could have sent postcards home, in those very early days? (Honeymoon at Viagra Falls), -they didn’t realize New Zealand would be such a hard place to settle. British missionaries urged Maori to act like good Christians and become ‘upstanding citizens’: (Make yourself at home), while the colonials ran wild (Is that a gun in your pocket, or are you just pleased to see me?), delighting in their new found freedom.

There is an interweaving of time in this series. The works speak of those early days but also reflect on the far reaching effects of colonization. Spanking the monkey – (every now and then he’d take the monkey down off his back and give it a jolly good spanking).

The use of sexual connotation is an important factor in relaying a view on colonial New Zealand.  Fond memories.  In 1954, as New Zealand began to advance its unique identity, The Mazengarb Report moved New Zealand culture back toward Victorian moral high ground. The report’s effect on our culture endowed a ‘legacy of prudery and secrecy about sexual matters’1.  At the time, a European visitor to NZ remarked that we were a perverted nation – he suggested that it is as if sex does not exist to New Zealanders, yet, obviously, it lingered behind curtains and closed doors.

These works provide new avenues for exploring New Zealand’s historical record and reflect, in part, the material culture of tourism and identity unveiled - Greetings from New Zealand – ear muffs.  We send postcards as a memento of a new experience, and also as an enticement or to taunt: Greetings from New Zealand, Wish you were here

 Sally Papps 2006

 1. Sandra Coney in Standing in the Sunshine

Honeymoon at Viagra Falls
acrylic on board 15 x 20 cm

Make Yourself at Home
acrylic on board 15 x 20 cm

Spanking the Monkey
acrylic on board 15 x 20 cm

Is That A Gun In Your Pocket or are You Just Pleased to See Me?
acrylic on board 15 x 20 cm

Price range $700 - $800
This page represents a selection of the work in the exhibition, for more information please contact us
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